
- Highlights from the art world at a glance
- Art chosen by our expert curators
- Personal invitations to exclusive exhibitions
- Two issues a year, absolutely free
How does a street determine where a person should go? Can I recognize from the constellations of a group of people how close the individuals are to each other? How can I, by erasing the details of a context, gain access to a purely associative space? How can I achieve the development of “complete” pictures in spite of this omission and… Read more
Intro Bio Exhibitions
IntroductionHow does a street determine where a person should go? Can I recognize from the constellations of a group of people how close the individuals are to each other? How can I, by erasing the details of a context, gain access to a purely associative space? How can I achieve the development of “complete” pictures in spite of this omission and elimination of place-specific and social information, and in spite of overexposing the pictures? With her photographs of bright cities, constellations of people and situations from the series “From Monday to Sunday,” Berlin artist Ricoh Gerbl presents us with minimalist views in which “light itself” seems to paint and where her vocabulary of visual signs is reduced to the absolute minimum necessary.Bio
1990-1997 Work contract for photography, Senate of Berlin, social support for artists 1993 Work stipend for literature, Senate of Berlin, artist program 1996 Work stipend for fine arts, Senate of Berlin 2004 Residency grant for literature, Salzwedel lives and works in Berlin Publicationsvon hundert, 02-2008, Gespräch mit Ricoh Gerbl von Barbara Buchmaier
Eikon #54, Photografien für ein Projekt von Eve Sussman, 2007
Art in America, Photografien für ein Projekt von Eve Sussman, 2007
Flash Art Vol XXXIX No. 246, Photografien für ein Projekt von Eve Sussman, 2006
Camera Austria, Heft 74, 2001
Camera Austria, Heft 64, 1998ExhibitionsSolo Exhibitions
2008 Thank you for judging, Medizinhistorisches Museum of the Charité, Berlin 2007 Mittwoch, Visite ma tante, Berlin 2004 The Mother and Apartmentgrafting, Smack Mellon, New York Expressgrafting, vier Apartments, New York 2000 Kimmst amoi wieda zu mia, Künstlerhaus Bethanien, Berlin 1999 Die Wohnungspfropfungen, acht Wohnungen, Berlin 1998 Die Wohnungspropfungen, vier Wohnungen, Berlin 1997 Verharren in Zwischenstopps, Annelies Diltschev, Berlin 1986 Ich muss mich nur noch fertig machen, dann bin ich fertig, Die der Art guten Freunde, Berlin Group Exhibitions
2008 Existence in a Letter, Cluster, Berlin 2007 Photographs for Eve Sussman’s The Rape of the Sabine Women, Hamburger Bahnhof, Berlin (video/photos/notes) 2006 von der Angst, Kunstverein Tiergarten, Berlin Inselglück, Galerie Nord, Berlin Photographs for Eve Sussman’s The Rape of the Sabine Women, 89 seconds at Alcazar and other works, Thessaloniki Center for Arts and Culture, Thessaloniki 2005 ZBO – Subduktive Massnahmen - 1500 Jahre Sonderschutz für 50 Kunstwerke, Zentraler Bergungsort Oberried / Breisgau, Bundeskunsthalle Bonn Goldenes Zeitalter, Galerie Nord, Berlin 2002 Gehag Forum, Berlin 2001 Familienbild, NGBK, Berlin 1999 Iokaste 2000 – eine fotografische Exkursion entlang der Nabelschnur, Schloss Wolkersdorf 1998 Untersicht, Kunstamt Mitte, Berlin Fremde Welten, Wünsdorf 1996 casa tua e casa mia, Amerikanische Akademie, Rom 1995 Bronwyn Keenan Gallery, New York “Sculpture Space,” Munson-Williams-Proctor Museum, Utica, USA, film/video, “Die Platzsünde,” by Eve Sussman und Ricoh Gerbl, Text by Ricoh Gerbl und Ivana Mestrovic. 1994 nicht nicht du, ich aber auch nicht, Galerie Acud, Berlin Werkschau 2, Neues Kunstquartier, Berlin 1993 bLICK fANG, Kulturhaus Treptow, Berlin Künstler in Moabit stellen sich vor, Waldenser Ateliers, Berlin 1992 Choice, Galerie A.I.R., New York Auszug, Waldenser Ateliers, Berlin 1990 Ausstellung im Atelier 1, Berlin
Secure your favourite artwork now!
Delivery to your country is not possible from this site.
If you would like to place an order, please visit LUMAS USA.