New York is a magical place. Among the glass and steel architectural masterpieces, lifelong dreams become reality.
Take a look at the city through our artist’s lenses as they explore the city’s endless reservoir of photographic subjects!
Luc Dratwa, Reinhart Wolf, and Christophe Jacrot document the megalopolis’s vertical life in breath-taking works of art.
LUMAS artist Luc Dratwa shows the global city in high-contrast black & white pictures. From the 66th floor of the Rockefeller Center, the Belgian photographer trained his camera on a solitary-looking Empire State Building. His artworks reveal the symbolic face of New York while also pointing out its rich history.
One day I sat down in front of the window on the 66th floor of the Rockefeller Center in New York. I was deeply touched by the poetry of the location. I felt as if I was vacillating between heaven and earth, as if I was elsewhere, and I felt that I had to capture this exceptional instant.
German photographer Reinhart Wolf visited New York in the 70s, dedicating an enchanting series of color photographs to the city. For this project, Wolf set his sights high, photographing the tops of buildings in an incomparable fusion of light, color, and architectural detail. Andy Warhol, the famous pop artist, spoke with him about the project, and you can read the fascinating interview here.
The people who erected these buildings all had one thing in mind – to reach for the stars!
When the streets of Manhattan are blanketed with snow, French photographer Christophe Jacrot reaches for his camera. In his work, the LUMAS artist shows how inclement weather affects life in the big city. In his atmospheric photographs, people appear isolated, ripped out of their everyday rhythms.
I could never get bored with New York. As soon as a snowstorm threatens to strike, I jump on a plane! How fascinating this city is when it gives up some of its power to the winter…
More New York Artworks
Andy Warhol Interviews Reinhart Wolf
Shortened from the original version.
Andy Warhol (AW): Reinhart, why did you pick New York, and not Hollywood? I like Hollywood better!
Reinhart Wolf (RW): I understand, but you have to admit, Hollywood is somewhat flat, and I love peaks. To me, the tops of New York skyscrapers are really an expression of the power and spirit of America. New York inspires me, the skyscrapers are like phallic fertility symbols, and I wanted to capture these buildings before they disappear. There’s construction everywhere you look, and many of the buildings I wanted to photograph have already been torn down.
AW: The way you show it, it’s a different New York. Very colorful.
RW: New York is colorful! The mix of styles is sometimes crazy and wild, and therein lies this city’s creative power. And one thing’s for sure: the people who erected these buildings all had one thing in mind – to reach for the stars!
AW: Were these photos made just for architects or for others too?
RW: For everyone of course! I wanted to open people’s eyes and make them look up! And I hope I’ve succeeded. Everyone who has seen these pictures so far goes through New York now and tries to discover more.
They are perhaps starting to take interest in the smallest details and to comprehend entire buildings in new, surprising ways. The beauty of the architecture takes them along to new discoveries – and to new adventures!
AW: It must have been insanely difficult to take these photos. I don’t think I could’ve done it!
RW: I spent hours, and sometimes days, convincing doormen, custodians, supers, and renters that I wasn’t up to no good … But once I’d overcome all of these obstacles—I was in the right position, standing on the right rooftop with my picture finally in front of me at the right distance and angle, with the right sky – then I was overcome with such a feeling of success and fulfillment that sometimes even bordered on happiness! It was like climbing Mount Everest!
AW: Reinhart, when I see these buildings, I think about money.
RW: You’re right, Andy. They are the good side of capitalism. It took time and money to construct them. The men who built Manhattan are the Medicis of America. They demanded the best artisans and craftsmen of the day and put these talents to use. I can’t imagine any better way to spend a fortune!
AW: Do you only take photos of architecture, Reinhart?
RW: No, I started out in Paris with portraits of painters and sculptors. Then I went into advertising, for which I photographed everything from coffee beans to airplanes. But architecture has always interested me. There are many architects in my family. And then ten years ago I started to photograph buildings, which ultimately became like human faces to me.
AW: I believe architecture and photography are the two artistic forms of expression of today. All of the young people we know want to be architects or photographers – or models. Why didn’t you become an architect, Reinhart? Or a model?
RW: I like to be behind the camera, Andy, it just gives me more control over everything. And as far as architecture goes, I don’t like the idea of having my own mistakes in front of me for my whole life. If a photo turns out wrong, I just tear it up.
AW: How did you pick out the buildings?
RW: With a telescope! I looked for power, originality, and – if you will – a touch of madness!
AW: I think you are an artist, Reinhart. What do you think about that?
RW: Let me put it like this. I took these photos as an “amateur” in the most literal sense of the word, which comes from the Latin amare meaning “love.” I loved what I was doing. Naturally all the years as a professional photographer gave me all the experience, patience and discipline necessary to take such photos. But to answer your question: I believe, perhaps, I am an Amateur – in love with Art!